PRINCIPLES OF DEPICTING THE PORTRAIT OF THE HERO IN "BOBURNOMA"

Authors

  • Xasanova Zarrina Shadiyarovna Author

Keywords:

Key words: pictorial means, visual aids, Boburnoma, portraits, depiction, portrait of hero, pictorial details.

Abstract

     "Boburnoma" is a rare example of the memoir genre in world literature and is of great importance as a historical and artistic work. This work is an encyclopedic source covering various fields of science. In this regard, great memories are a unique resource providing invaluable information to world scientists in all fields, studying the history of literary and cultural ties of the Uzbek people with other peoples of the world, serving the development of their culture. The fact that "Boburnoma" has been translated into 16 leading national languages of the world is a clear confirmation of this. Solving the problems of adequate translation of pictorial means into English is one of the urgent tasks of translation studies, based on the pragmatic and linguistic features of "Boburnoma" translations. Today, in the world literary process, interest in the study of manuscripts and translations of the text of "Boburnoma" attracts the attention of world orientalists and translators. Scientific research by world scientists on the essence, ideological aspects, personality of the creator, creative method of the writer, artistic mastery of the text "Boburnoma" allow to define and evaluate the features of the development of literature.

References

1. Decree of the President of the Republic of Uzbekistan "On the strategy of

actions for the further development of the Republic of Uzbekistan" for 2017-2021

// Narodnoe slovo. -2017. - February 8

2. Karimov I.A. Turkestan is the sacred land of our ancestors: [Speech at the first

international meeting of Uzbeks and Turkestanis held in Tashkent] // Narodnoe

slovo.- 1991. - September 24.

3. Karimov I. Attention to literature - attention to spirituality, the future. -

Tashkent: Uzbekistan, 2009. - 40 p.

4. Mirziyoyev Sh.M. We will build our great future together with our brave and

noble people. - Tashkent: Uzbekistan, 2017. - 485 p.

5. Mirziyoyev Sh.M. Critical analysis, strict discipline and personal

responsibility should be the daily rule of every leader. - Tashkent, 2017.

II. Theoretical and methodological literature:

6. Azimjanova, S. Babur's Indian Divan. - Tashkent: Nauka, 1966. - p.127

7. Aznaurova, E. Pragmatics of the pious word. - Tashkent: Nauka, 1988. p.119

8. Bertels E. Sufism and Sufi Literature. - Moscow: Nauka, 1965. p.524

9. Blagova, G.F. The language of "baburnama", pragmatics, text, style. –

Moscow, 1994, p.404

10. Boboev , T. Basics of Literary Criticism. Tashkent: Uzbekistan, 2001. p.558

11. Boltaboev, H. The classical meaning of the word. – Tashkent: Adolat, 2004.

p.138

12. Butaev Sh. English-Uzbek, Uzbek-English dictionary. – Tashkent: Uchitel,

2013. – p.880

13. Vlahov, S., Florin S. The untranslatable in translation. Third edition.

Corrected. - Moscow: Valent. 2006. p.343

14. Wurtl, F. Prince of Andizhan. Translated from German by Ya. - Tashkent:

Uchitel, 2011. - p.220

Published

05.01.2025

How to Cite

Xasanova Zarrina Shadiyarovna. (2025). PRINCIPLES OF DEPICTING THE PORTRAIT OF THE HERO IN "BOBURNOMA". JOURNAL OF NEW CENTURY INNOVATIONS, 68(2), 199-205. https://scientific-jl.org/new/article/view/8827